Jono El Grande is a sparky Norwegian composer whose music is as uncategorisable as it comes. But where his earlier album Fevergreens was obsessively in thrall to his eclectic influences, Zappa and Captain Beefheart, Neo Dada sounds much more confident, exuberant, artful and bloody-minded. This is intricate music, and the musicians sound as if they’re having a ball regardless of what anyone might think, rather like the classical equivalent of Millwall supporters. Despite bonkers titles such as Ballet Morbido in a Dozen Tiny Movements and Three Variations On a Mainstream Neurosis, Jono El Grande makes loud, clattering and unneurotic instrumental music, with the odd bit of cod-opera singing and Circulus-like medieval prog. Oslo City Suite also features some outstanding rock bassoon-playing by Embrik Snerte, another name to watch.
