A composition with a “centrifugal” theme development.

Trivia about this composition:
The opening theme is used as basis for the melody in Evas Horse Dance.

Includes the bass line pattern from Rapphoenss and Evas Horse Dance.

The third theme (after the second half-beated break) – which is repeated in third movement – sprung out of a composition for vocals and ladder by Menü Tizz Aura #3.

Album(s) in which this composition has appeared:
Fevergreens

Version history:
Vocal and ladder version
(Menü Tizz Aura #3, Betong, winter 2000, parts of it also shown at the local TV station Metropol live late summer 2002)

20 minute version in seven movements
(The Jono El Grande Orchestra #3, Oslo Concert Hall, January 19, 2001)

First movement only
(The Jono El Grande Orchestra #4, Blå, May 12, 2001)

Chamber orchestra version as on Fevergreens
(The Jono El Grande Orchestra #3, 2003)

“Rock” version
(The Jono El Grande Orchestra #5, 2004. Jono El Grande & The Luxury Band, 2005 – 07)

Only second and third movement
(Jono El Grande & The Luxury Band, Grand Café, February 17, 2007)

Name history:
Der Tot Der Gegenwartsmusik (2000)
Centrifugue in D Minor (2002 -)

The 20 minute version original movements:
1st movement: same as on Fevergreens
2nd movement: faster version of 2nd movement on Fevergreens
3rd movement: Prologue (Senckophi Phimpa)
4th movement: piano interlude
5th movement:The Frenzied Butterflies
6th movement: same as 2nd movement on Fevergreens
7th movement:same as 3rd movement on Fevergreens